Hard Candy /
Adrian Lyne's Lolita
In Hard Candy, a teenager allows herself to be lured in by a man twice
her age in order to get justice for crimes that she believes he has
committed against young girls. As a film geek, I'm thrilled when I find
a film like this that I can discuss with my date the whole way home. Of
course, I should warn you that this isn't exactly a perfect date movie,
as there are some pretty nasty torture scenes and a surgical procedure
guaranteed to makes guys cross their legs in sympathy.
The film has only 5 actors credited with lines, and most of the movie
focuses on a cat-and-mouse game played by precocious 14-year old Hayley
(Ellen Page) and her alleged pedophile acquaintance, Jeff (Patrick
Wilson). Both actors do a phenomenal job, especially considering that
neither of them has had a starring role in a feature film until now.
Ellen Page's performance is a real stretch, as she has to play against
her fragile and innocent look and become convincingly cold-blooded and
frightening. In fact, it's a clever bit of casting that Jeff is has such
all-American good looks- no one wants to believe that he could be a
child abuser, so it adds to the audience's confusion about his possible
innocence.
There are a lot of clever references in other areas as well, such as
Hayley's signature red hoodie. I imagine that this was a conscious nod
to the Little Red Riding Hood fable, except now the tables have turned
and the wolf is on the defensive. We could take Hard Candy as a modern
fable, warning of the dangers of the Internet. There are sexual
predators flourishing in cyberspace, and young people are becoming wise
beyond their years as a defence mechanism.
Another very interesting debate that is raised is the search for
appropriate punishment for sex offenders. While Hayley's methods are
admittedly extreme, she doesn't go too far beyond what the criminal
justice system has already proposed. Re-integration into society,
chemical and surgical castration, and life imprisonment have all been
tried as possible solutions for pedophiles. Which of these methods have
been most successful is hard to say. Hayley's character had an excellent
argument in response to Jeff's attempts at justifying his behaviour.
She notes that just because a girl can act like a woman, it doesn't mean
that she is a woman. It's a crucial distinction.
It's that very distinction that reminded me of one of my favourite film
adaptations, Lolita. (No, not the poor romantic comedy by Stanley
Kubrick, but the 1997 version by Adrian Lyne.) That film is equally
controversial and sometimes hard to watch, but the performances by
Jeremy Irons and Dominique Swain are excellent. It's beautifully shot,
and the technique of telling the story from the point of view of the
abuser is just as shocking now as it was when Nabokov's novel was
published in 1955. It's guaranteed to provoke discussion, as all of the
best films do.
Selina frequents movie theatres and video stores so often that she is
often misateken for an employee. She actually works at the Epcor Centre
and also organizes a monthly performance event. For details, go to
http://spaces.msn.com/members/redmilerevenge/. Please send questions,
comments and offers of fame and fortune to sechebib@gmail.com.